Wu's process is guided as much by observation as intention. Her work moves across ash glaze, iron oxide, silver, and lacquer, each approached with the same sensitivity to how the material behaves. Temperature, humidity, clay, and glaze all leave their mark on the final piece, and rather than working against these variables, she lets them shape the outcome. The result is a collection where each form carries visible traces of its own making — irregular, unrepeated, and alive with the conditions that formed it.
